{"id":14979,"date":"2025-02-07T20:28:35","date_gmt":"2025-02-07T20:28:35","guid":{"rendered":"https:\/\/sutura.art\/eugene-tibaldi\/"},"modified":"2025-03-05T17:27:02","modified_gmt":"2025-03-05T17:27:02","slug":"eugenio-tibaldi","status":"publish","type":"page","link":"https:\/\/sutura.art\/en\/eugenio-tibaldi\/","title":{"rendered":"Eugenio Tibaldi"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"14979\" class=\"elementor elementor-14979 elementor-14303\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-26e54f8 elementor-section-full_width elementor-section-height-default elementor-section-height-default qodef-backgound-letter-holder-no qodef-elementor-content-no\" data-id=\"26e54f8\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-503946e qodef-sticky-column qodef-sticky-fixed\" data-id=\"503946e\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ae9f43f elementor-widget elementor-widget-laurits_core_single_image\" data-id=\"ae9f43f\" data-element_type=\"widget\" data-widget_type=\"laurits_core_single_image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"qodef-shortcode qodef-m  qodef-single-image qodef-single-image-537 qodef-layout--default  qodef-appear-animation--yes qodef-zoom-scroll-animation--no\" data-appearing-delay=\"0\">\n\t<div class=\"qodef-m-image\">\n\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/sutura.art\/wp-content\/uploads\/2025\/01\/Eugenio-Tibaldi_10_Upupa-scaled-550x700.jpg\" alt=\"Eugenio Tibaldi credits: Lorenzo Morandi\" width=\"550\" height=\"700\" data-ratio=\"0.78571428571429\" \/>\t\t\t<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-e1cbdd2\" data-id=\"e1cbdd2\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-c32f6cd elementor-section-boxed elementor-section-height-default elementor-section-height-default qodef-backgound-letter-holder-no qodef-elementor-content-no\" data-id=\"c32f6cd\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-25ff23a\" data-id=\"25ff23a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-908f698 elementor-widget__width-initial elementor-widget-tablet__width-inherit elementor-widget elementor-widget-laurits_core_section_title\" data-id=\"908f698\" data-element_type=\"widget\" data-widget_type=\"laurits_core_section_title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"qodef-shortcode qodef-m  qodef-section-title qodef-alignment--left  qodef-appear-animation--no \">\n\t\t<span class=\"qodef-m-tagline\" >the artist<\/span>\n\t\t<h2 class=\"qodef-m-title\" style=\"margin-top: 15px\">\n\t\t\t\t\tEugenio Tibaldi\t\t\t<\/h2>\n\t\t<p class=\"qodef-m-title-text\" style=\"margin-top: 23px\">Eugenio Tibaldi (1977), an artist always drawn to marginal dynamics and aesthetics, as well as the complex relationship between economy and contemporary landscape. Born in Alba, CN, in 2000 he moved to the Neapolitan hinterland where he began a project investigating one of Italy&#039;s most dynamic and plastic territories and mapping informality. The margin is often understood as a mental rather than geographical condition. Through studying the margin, he activates a processual dynamic that, applied to artistic research, allows the emergence of alternative aesthetics. Over the years, he has worked in Istanbul, Naples, Cairo, Rome, Thessaloniki, Berlin, Verona, Havana, Bucharest, Turin, Caracas, Brussels, Tirana, Addis Ababa, and Mumbai. His works are exhibited in public and private institutions in Italy and abroad. Currently, he lives and works in Turin.\n<\/p>\n\t\t<div class=\"qodef-m-button\">\n\t\t\t<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9338193 elementor-widget elementor-widget-text-editor\" data-id=\"9338193\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<pre>Main Exhibitions \/ Selection: Fondazione Sandretto Re Rebaudengo, Turin, (2007), Manifesta 7, Bolzano (2008), International Centre of Contemporary Art, Bucarest (2009), Museo Madre, Naples (2010) Thessaloniki Biennale of Contemporary Art (2013), XII Biennale de L\u2019Avana (2015), Museo Ettore Fico, Turin (2016), Palazzo del Quirinale, Rome (2017), Museum MCDA Manila, (2017), IIC New York (2017). Museo MAXXI, Rome (2018), Biennale di Venezia, Cuba Pavilion (2019), Museo del 900 Milano (2019), National Gallery of Rome (2020), Zoma Museum Addis Ababa (2020),Tenuta dello scompiglio Lucca (2021), Parco dell\u2019arte\nvivente Turin (2021), XX Ermanno Casoli Prize 2022 . \n(CSAV), Fondazione Antonio Ratti, Como, Domus Academy of Istanbul, He was Affiliated Fellowship of the American Academy of Rome\n<\/pre>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-63c28b9 elementor-widget elementor-widget-gallery\" data-id=\"63c28b9\" data-element_type=\"widget\" data-settings=\"{&quot;gallery_layout&quot;:&quot;justified&quot;,&quot;ideal_row_height&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:293,&quot;sizes&quot;:[]},&quot;lazyload&quot;:&quot;yes&quot;,&quot;ideal_row_height_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:150,&quot;sizes&quot;:[]},&quot;ideal_row_height_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:150,&quot;sizes&quot;:[]},&quot;gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;link_to&quot;:&quot;file&quot;,&quot;overlay_background&quot;:&quot;yes&quot;,&quot;content_hover_animation&quot;:&quot;fade-in&quot;}\" data-widget_type=\"gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-gallery__container\">\n\t\t\t\t\t\t\t<a class=\"e-gallery-item elementor-gallery-item elementor-animated-content\" href=\"https:\/\/sutura.art\/wp-content\/uploads\/2025\/02\/0G7A4194.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"63c28b9\" data-elementor-lightbox-title=\"Habitat 00 project #02\" data-elementor-lightbox-description=\"Eugenio Tibaldi, Habitat 00 project #02, 2022. \nMatita, china e inchiostro su carta;\nteca in legno e rame, 165x131cm,\nCredits: Sebastiano Pellion di Persano\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTQzNDMsInVybCI6Imh0dHBzOlwvXC9zdXR1cmEuYXJ0XC93cC1jb250ZW50XC91cGxvYWRzXC8yMDI1XC8wMlwvMEc3QTQxOTQuanBnIiwic2xpZGVzaG93IjoiNjNjMjhiOSJ9\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/sutura.art\/wp-content\/uploads\/2025\/02\/0G7A4194.jpg\" data-width=\"\" data-height=\"\" aria-label=\"Eugenio Tibaldi, Habitat 00 project #02, 2022. Matita, china e inchiostro su carta; teca in legno e rame, 165x131cm Credits: Sebastiano Pellion di Persano\" role=\"img\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__overlay\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<a class=\"e-gallery-item elementor-gallery-item elementor-animated-content\" href=\"https:\/\/sutura.art\/wp-content\/uploads\/2025\/02\/0G7A4192.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"63c28b9\" data-elementor-lightbox-title=\"Habitat 00 project #01\" data-elementor-lightbox-description=\"Habitat 00 project #01, Credits: Sebastiano Pellion di Persano\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTQzNDIsInVybCI6Imh0dHBzOlwvXC9zdXR1cmEuYXJ0XC93cC1jb250ZW50XC91cGxvYWRzXC8yMDI1XC8wMlwvMEc3QTQxOTIuanBnIiwic2xpZGVzaG93IjoiNjNjMjhiOSJ9\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/sutura.art\/wp-content\/uploads\/2025\/02\/0G7A4192.jpg\" data-width=\"\" data-height=\"\" aria-label=\"Habitat 00 project #01\" role=\"img\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__overlay\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>the artist Eugenio Tibaldi Eugenio Tibaldi (1977), an artist always drawn to marginal dynamics and aesthetics, as well as the complex relationship between economy and contemporary landscape. Born in Alba, CN, in 2000 he moved to the Neapolitan hinterland where he began a project investigating one of Italy&#039;s most dynamic and plastic territories and mapping [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-full-width.php","meta":{"footnotes":""},"class_list":["post-14979","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sutura.art\/en\/wp-json\/wp\/v2\/pages\/14979","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sutura.art\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sutura.art\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sutura.art\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/sutura.art\/en\/wp-json\/wp\/v2\/comments?post=14979"}],"version-history":[{"count":10,"href":"https:\/\/sutura.art\/en\/wp-json\/wp\/v2\/pages\/14979\/revisions"}],"predecessor-version":[{"id":15064,"href":"https:\/\/sutura.art\/en\/wp-json\/wp\/v2\/pages\/14979\/revisions\/15064"}],"wp:attachment":[{"href":"https:\/\/sutura.art\/en\/wp-json\/wp\/v2\/media?parent=14979"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}